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Music in Architecture – Architecture in Music Symposium

  • MIA-AIM: Symposium

  • MIA-AIM: "Low Close Vast"

  • MIA-AIM: "Theater of the Imagination"

  • MIA-AIM: "Tracings"

  • MIA-AIM: "Research Embodied"

  • MIA-AIM: "The Infinite Space Between"

  • MIA-AIM: "Dock and Load"

  • MIA-AIM: "Seeing Times Are Not Hidden"

  • MIA-AIM: "Persephassa" (1969)

  • MIA-AIM: "hEAR TOuch Listen"

  • LHN - Music and Architecture

MIA-AIM: Symposium

Binary Data MIA-AIM: Symposium

MIA-AIM: "Low Close Vast"

Binary Data MIA-AIM: "Low Close Vast"

MIA-AIM: "Theater of the Imagination"

Binary Data MIA-AIM: "Theater of the Imagination"

MIA-AIM: "Tracings"

Binary Data MIA-AIM: "Tracings"

MIA-AIM: "Research Embodied"

Binary Data MIA-AIM: "Research Embodied"

MIA-AIM: "The Infinite Space Between"

Binary Data MIA-AIM: "The Infinite Space Between"

MIA-AIM: "Dock and Load"

Binary Data MIA-AIM: "Dock and Load"

MIA-AIM: "Seeing Times Are Not Hidden"

Binary Data MIA-AIM: "Seeing Times Are Not Hidden"

MIA-AIM: "Persephassa" (1969)

Binary Data MIA-AIM: "Persephassa" (1969)

MIA-AIM: "hEAR TOuch Listen"

Binary Data MIA-AIM: "hEAR TOuch Listen"

LHN - Music and Architecture

LHN - Music and Architecture
Wednesday, October 19, 2011 - 8:00am to Friday, October 21, 2011 - 5:00pm
310 Inner Campus Drive
Austin, TX 78712-1009
United States

The Center for American Architecture and Design, the College of Fine Arts and the Sarah and Ernest Butler School of Music held the Music in Architecture – Architecture in Music Symposium on the University of Texas at Austin campus in October 2011. 

Performance Program Notes

Design & Composition Competition Finalists

Paper Presentations

CENTER 18: Music in Architecture—Architecture in Music Publication

Publication Media Files

Of Interest Since

 

 

Design & Composition Competition Finalists

The following 8 finalists were chosen from 70 international entries to the Music in Architecture - Architecture in Music composition and design competition. All are scheduled to be performed live during the MIA-AIM Symposium October 19–22, 2011. (See Program for place and time details).  Note: The first five entered as "Mode One" (Music in Architecture).  The last three entered as "Mode Two" (Architecture in Music).

Research Embodied

    LBJ Library, Grand Hall

    Composer: Jeffrey M. Morris, Texas A&M University

    Designer: Autumn Casey, Texas A&M University

hEAR TOuch LISTEN

    Bass Concert Hall Lobby

    Composer: Florian Tuerke, Nuremberg, Germany

    Architect/Designer: René Rissland, Eyland 07, Nuremberg, Germany

    Performer and Principal Technician: Eli Fieldsteel

The Infinite Space Between

    Visual Arts Center (VAC) Gallery

    Composer: Kirsten Volness, Providence, RI

    Architect: Joshua Lantzy, DownCity Design, Providence, RI

    Multimedia and Electronic Music: Jacob Richman, Brown University, RI

seeing times are not hidden

    Waller Creek Bridge

    Composer: Matthew Teodori, Huston-Tillotson U., Austin, TX

    Architects: Norma Yancey and Emily Little, Clayton & Little, Austin, TX

Dock and Load

    Perry Castaneda Library (PCL) Loading Dock

    Composer: Simon Fink, Missouri Western State University, MI

    Architect: Gideon Fink Shapiro, University of Pennsylvania, PA

Theater of the Imagination

    Jessen Recital Hall

    Composer: Frank Clark, Georgia Tech U., GA

    Architect: Cecil Balmond, London, UK

Turnaround City

    Mebane Gallery (Goldsmith Hall)

    Designer-Composer: Alberto Sacca, Rome, Italy

    Composer-Musician: Francesco Pafundi, Rome, Italy

Bridge Harp: Mirror Space

    Mebane Gallery (Goldsmith Hall)

    Composer: Liam Singer, New York, NY

    Architect: Sheryl Jordan, New York, NY

    In addition to competition entries above, the following three pieces were commissioned (and are premiers), or were commissioned to be performed (“Persephassa”).

Persephassa

    Goldsmith Hall Courtyard

    Composer: Iannis Xenakis

    Designer: Paul Cret

    Performers: line upon line percussion, Meehan/Perkins Duo, and Timothy Briones

Tracings

    Battle Hall Library Reading Room

    Composer: Ellen Fullman

    Architect: Cass Gilbert

    Performers: Ellen Fullman and members of the Austin New Music Coop on The Long String Instrument and other instruments.

Low Close Vast

    Bass Concert Hall

    Composer: Paul Dresher

    Designer: Michael Benedikt and Michael Rotondi

    Performers: students and faculty of the Butler School of Music

 

 

Paper Presentations

The following 19 Finalists were chosen from 80 international entries to the Music in Architecture - Architecture in Music Symposium to deliver papers at the 2011 Music in Architecture – Architecture in Music Symposium and to be subsequently published in Center: Volume 18

A Dodecahedral House of Blues: From Buckminster Fuller’s Jitterbug Transformation to an Elusive Bilaterally Symmetrical Harmonic Architecture

    David A. Becker, Ph.D.

    Department of Chemistry and Biochemistry

    Florida International University

Music, Landscape Architecture and the Stuff of Landscapes

    Brenda J Brown

    Assistant Professor, Dept. of Landscape Architecture, University of Manitoba

Curious Mixtures

    David P. Brown

    Associate Director, School of Architecture, University of Illinois at Chicago

New Rhythms: Intersections of Architecture and Music in the Abstract Films of Hans Richter and Viking Eggeling

    Michael Chapman

    Senior Lecturer, School of Architecture and the Built Environment, The University of Newcastle

Acoustique Plastique: The Spatial "Music" of Emile-Jaques Dalcroze, Adolphe Appia, and Le Corbusier

    Joseph Clarke, M.Arch

    PhD Candidate in Architecture, Yale University

Terminology of Space Between Venetian School and New Music

    Yvonne Graefe

    Assistant Professor, The Bauhaus-University Weimar

Cage, Chance and Architecture: Distancing the Formalizing Agent

    Stephen John Harfield

    Associate Professor, School of Architecture, University of Technology, Sydney

Visualizing Beethoven's Architectonics of Distance

    Hedy Law

    Assistant Professor of Music History, Meadows School of the Arts, Southern Methodist University

Rethinking Xenakis and the Role of Information in the Immediate Production of Architectural Affects

    Andrew Lucia

    Director, Andrew Lucia Design and Research

    LabStudio & Depatment of Architecture, Cornell University

    Jenny Sabin

    Labstudio & Department of Architecture, Cornell University

    Principal, Jenny Sabin Studio

Along Parallel Lines: Architectural and Musical Notation

    Jim Lutz

    Lecturer, Co-Director-Master of Science Sustainable Design Track, School of Architecture, The University of Minnesota

London Flat: Manhattan Studio of Jimi Hendrix

    Marie-Paule Macdonald

    Associate Professor of Architecture, The University of Waterloo

Bebop Performances

    Bennett Neiman

    Professor of Architecture, Texas Tech University

Walls of Sound: Harmonies of Modernism and Music in Richard Neutra’s Clark House

    Michael Ostwald

    Dean and Professor of Architecture at the School of Architecture and the Built Environment, The University of Newcastle, Australia

    Michael Chapman

    Senior Lecturer, The School of Architecture and the Built Environment, The University of Newcastle, Australia

Borromini and Benevoli: Architectural and Musical Designs in a Seventeenth-Century Roman Church

    David H. Smyth

    Galante Professor of Music Theory and Haymon Professor of Music, Louisiana State University

    Julia Smyth-Pinney

    Fellow, American Academy in Rome

    Associate Professor of Architecture, The University of Kentucky

Louis Sullivan, J.S. Dwight, and Wagnerian Aesthetics in the Chicago Auditorium Building

    Stephen Thursby

    Professor of Music, The University of South Carolina at Sumter

Stuart Marshall and the Notation of Space

    Peter Tschirhart

    PhD Candidate in Critical and Comparative Studies of Music, University of Virginia

Architecture in Motion: A Model for Music Composition

    Jorge Variego

    Assistant Professor of Music Theory/Woodwinds, Valley City State University, Fullbright Fellow

Warps, Ribbons, Crumpled Surfaces and Superimposed Shapes: Surfing the Contours of Miles Davis's 'Lost Quintet'

    Michael Veal

    Professor of Ethnomusicology, Yale University

A Certain Uncertainty

    Yiu-Bun Chan

    M.Arch., Intern Architect, Dip. M.P., Toronto, Canada

 

 

Publication Media Files

Files accompanying "Rethinking Xenakis and the Role of Information in the Immediate Production of Architectural Affects" by Andrew P. Lucia and Jenny E. Sabin

  • MIA-AIM Lucia Hallway Difference Information [mp4 download]

Files accompanying "A Dodecahedral House of Blues: From Buckminster Fuller’s Jitterbug Transformation to an Elusive, Bilaterally Symmetrical Harmonic Architecture" by David A. Becker

  • MIA-AIM Becker Blues [mp3]

Files Accompanying "Borromini and Benevoli: Architectural and Musical Designs in a Seventeenth-Century Roman Church" by Julia Smyth-Pinney and David Smyth

  • MIA-AIM Smyth Sound Sample 1 [mp3]
  • MIA-AIM Smyth Sound Sample 2 [mp3]
  • MIA-AIM Smyth Sound Sample 3 [mp3]
  • MIA-AIM Smyth Sound Sample 4 [mp3]

Files accompanying "Warps, Ribbons, Crumpled Surfaces, and Superimposed Shapes: Surfing the Contours of Miles Davis’s 'Lost Quintet'" by Michael E. Veal

  • Agitation Edit (Plugged Nickel 1965) [mp3]
  • Agitation Edit (Stolkholm 1967) [mp3]
  • Agitation Edit (Rome 1969) [mp3]
  • Agitation (Studio Version) [mp3]

 

Of Interest Since...

Composition for Chicago's Airstream Building by Jeff Morris

Portraits and Signatures by Andrew Lucia and Taylan Cihan

Light Motif by Frederic Bonpapa

Clots by Nick Hennies, Clay Odom, and Sean O'Neill

Event Photos

Flickr Album

Life & Work

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